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Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Examination at 90s Rave Culture

The work of Portishead co-founder Geoff Barrow, this sharp-edged though slight first film casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one important plot development, but it leads to a hilariously staged chaotic run on the forest trails that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game releases in British and Irish theaters from 17 November.

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Stephen Hooper

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